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المعارض والفعاليات

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عدد رقم

4

المواهب
الخام

خصصنا هذا العدد كاملا لعرض المواهب الخام.

قمنا بذلك لعلمنا بقيمة الموهبة الخام. لاسيما عندما يتمّ اكتشافها دون استغلالها، وعندما يتمّ رعايتها بطريقة تحافظ على شغفها.

قمنا باكتشاف المواهب الخام لخرّيجينا والعناية بها. اكتشفنا مواهب عديدة، مرنه وغير مستغلة وتبحث عن طريقها. يعمل خريجونا على توسيع آفاقهم باستكشاف كل الإمكانيات التي تتيحها لهم المصادر والعلاقات والسبل المختلفة والمتنوعة.

التقوا بهم مرة واحدة، وستدركون كيف يمكن لخبرتكم الناضجة واتزانكم أن يشكّل رؤيتهم الشبابية والجديدة حتى تزدهر بشكل أكبر. ليحدث عندها الانسجام.

مايو –أغسطس 2022

ندعوكم للانضمام إلى منتدى شبكتنا للإستشارات والتعاون وأكثر — ندعوكم للانضمام إلى منتدى شبكتنا للإستشارات والتعاون وأكثر

السلاسل الموازية

نورة الحردان

اكتشف اختيار المصور خليفة العبيدلي!

السلاسل الموازية

فهيم خان

اكتشف اختيار جو بو عبود!

معرض BFA + MFA 2022

تواصل مع جيل جديد من الفنانين والمصممين!

السلاسل الموازية

نوف الخنجي وغادة القاشوطي

اكتشف اختيار المصممة بهية شهاب!

السلاسل الموازية

نجلاء العيدة

اكتشف اختيار مصمم الأزياء خوان هيرنانديز دايلز!

السلاسل الموازية

نجلاء العيدة

اكتشف اختيار مصمم الأزياء خوان هيرنانديز دايلز!

السلاسل الموازية

الطالبة المتفوقة صاحب أعلى معدل – تصميم الغرافيك...

مقابلة مع غايتري مايلاتيل

السلاسل الموازية

نجلاء العيدة

اكتشف اختيار مصمم الأزياء خوان هيرنانديز دايلز!

السلاسل الموازية

الطالبة المتفوقة صاحب أعلى معدل – تصميم الغرافيك...

مقابلة مع غايتري مايلاتيل

مراسلينا

رؤية لقطر

تصور مستقبل الدوحة من خلال الواقع المعزز

انضم لقائمتنا البريدية–انضم لقائمتنا البريدية–انضم لقائمتنا البريدية–انضم لقائمتنا البريدية–انضم لقائمتنا البريدية–

الانستجرام

vcuq_gallery@

Tonight! ✨ Our Wavelength lecture series return

Tonight! ✨

Our Wavelength lecture series returns tonight at 7pm (Doha Time) with a virtual talk from artist and director Jenn Nkiru (@jennnkiru)!

Pushed through an Afro-surrealist lens, her practice is grounded in the history of Black music and the aesthetics of experimental film and the international art cinema.

She was featured as the second unit director of Ricky Saiz’s video for Beyoncé and Jay-Z, apeshit which was released in 2018. Her recent video work OUT/SIDE OF TIME is on view now as part of the Metropolitan Museum of Art’s exhibition ‘Before Yesterday We Could Fly: An Afrofuturist Period Room’.

Click the link in our bio to register! ✨

In collaboration with @vcuarts and @icavcu

#jennnkiru #wavelength #lecture #art #design #vcuarts #vcu #icavcu

Last few days to visit ‘Futurisms’ created by

Last few days to visit ‘Futurisms’ created by Ingrid LaFleur - open only until Saturday 09 April 2022!

Don’t miss your chance to see the amazing work of Alisha B. Wormsley, Jasmine Murrell, Saba Taj, Saks Afridi and Hyphen-Labs! 💜

#futurisms #exhibition #tasmeem #afrofuturism #afrofeminism #muslimfutures #scifisufism #vcuq #art #gallery #vr #doha

IN FOCUS: Ingrid LaFleur ✨ In this conversation

IN FOCUS: Ingrid LaFleur ✨

In this conversation and new photo essay by Shaima Ayoub, globally recognized design innovator and Afrofuturist Ingrid LaFleur (@maisonlafleur) highlights the relevance of Afrofuturism - and the exhibition ‘Futurisms’ - through her experience in Doha, the notion of race, and racism, and the use of technologies that purportedly enhance security.

Afrofuturism, LaFleur explains, helps us to free our imaginations from limiting thoughts such as racism. Race exists in our minds, in our imagination. Racism is taught to us. We know that race divides people. It also divides knowledge. The moment we categorize and exclude people based on their physical features, we lose access to their knowledgeable, and consequentially, the opportunity to heal or resolve challenges within our shared communities.

Ingrid LaFleur continues, ’In Doha, I thought it was a perfect opportunity to be in conversation with other futures. That’s the reason why this exhibition has this specific lineup of creatives you see here, and why it is titled ‘Futurisms’.’

Click the link in our bio to read more about Ingrid LaFleur, her practice, and the thoughts behind ‘Futurisms’ in the article ‘Traveling the Cosmos’ on our website! 💜

All photo credit to our resident photographer Shaima Ayoub (@shaima.ayoub)! 📸✨

#futurisms #afrofuturism #afrofeminism #muslimfutures #scifisufism #curator #tasmeem #vr #art #doha

IN FOCUS: Hyphen-Labs ✨ Would you like to recei

IN FOCUS: Hyphen-Labs ✨

Would you like to receive some brain optimization and cognitive enhancement treatments? Then step into this Virtual Reality (VR) salon and imagine the possibility of empowering yourself! In the VR setting of Neurocosmetology, the participant is placed into the body of a Black woman who is on her way to get her brain optimized, not on her way to the hairdresser as one might initially assume from the setting.

NeuroSpeculative AfroFeminism (NSAF) by Hyphen-Labs is an award-winning three-part digital narrative that sits at the intersection of product design, virtual reality, and neuroscience inspired by the lack of multidimensional representations of Black women in technology.

The creator of this alternative narrative, Ash Baccus-Clark, is a speculative neuroscientist - a Molecular Biologist and an artist at heart. ‘NSAF points back to black history, although the container of this project posts to black futures, reframing history in a way that tells a more complete story’ said the artist. ‘Generally history tends to leave out many details and the stories of Black thinkers have been flattened out by history. Through the VR technology, these stories, Black history and heritage, can be re-imagined and re-invented to be whole again’.

Read more about Hyphen-Labs, Ash Baccus-Clark, the inspirations behind NSAF and more in the article ‘NeuroSpeculative AfroFeminism’ by Anna Nigmatulina at the link in our bio! 💜

1.Hyphen-Labs, NSAF - Installation View, 2017
2. Hyphen-Labs, NSAF - Salon (still), Virtual Reality, 2017. Courtesy of the artist collective.
3. Hyphen-Labs, NSAF, 2017 at VCUarts Qatar
4.Hyphen-Labs, NSAF - Installation View, 2017 ©Library Street
5. Hyphen-Labs, NSAF - Rendering of Products, 2017. Courtesy of the artist collective.

#futurisms #exhibition #afrofuturism #afrofeminism #vr #virtualreality #hypenlabs #art #tasmeem #doha

IN FOCUS: Saks Afridi ✨ There was an event, a g

IN FOCUS: Saks Afridi ✨

There was an event, a global phenomenon. It has been wiped from history, wiped from our memories, wiped from our records. A few artefacts survived. They hold the clues of those forgotten days, pieces of the forgotten story.

It is a story that speaks of our hopeless greed even when literal blessings rain down from the sky. And we can learn from these surviving clues - the broken artifacts, the tattered news clippings, the video clips, testimonies of madmen, of what transpired in those days that pitted the whole world against each other, the events that consumed our children.

Space Mosque is a para-fictional narrative created by the artist Saks Afridi. It is set in the near past and based on a fictional global phenomenon that has been wiped from our memories. Afridi was inspired by Islamic mythology and folklore as well as science fiction writers, film and art in creating this fantastical project.

Read more about Saks Afridi, the story of Space Mosque, his bio and practice in the article ‘Sci-Fi Sufism’ by Anna Nigmatulina at the link in our bio! 💜

1. Saks Afridi, Spacetime, 2018. Courtesy of artist in collaboration with Narcy (Yassime Alsalman) with Tamara Abdul Hadi, Roï Saade.
2. Saks Afridi, ‘Praying ANGELS (Anthropolicial Neo-Generative Energy Living Systems)’, 2018
3. Saks Afridi, ‘Space Mosque’ at The Gallery at VCUarts Qatar
4. Saks Afridi, ‘Space Mosque’ at The Gallery at VCUarts Qatar
5. Saks Afridi, Will Engine Component, 2019. In collaboration with Freda Kolatan and his team Amor Ashtiani and AliReza Kabiri.

#futurisms #exhibition #tasmeem #scifi #sufism #spacemosque #saksafridi #vcuq #art

IN FOCUS: Saba Taj ✨ Tragedy and trauma are the

IN FOCUS: Saba Taj ✨

Tragedy and trauma are the kinds of stories that people often want to consume, but artist Saba Taj wants to create works that celebrate beauty, pleasure, joy and other positive aspects of life. And, while dystopian visions of the future define many futurist works, Taj focuses on a muslim future cloaked in glitter, with an abundance and joy of a deep love for the people in her community.

In her series exhibited at The Gallery ‘There are Gardens in the Margins’, Taj seduces us to an edge, a place where the undefinable is the abundance. Her paintings give us permission to indulge in beauty and be undefinable as well.

“Portraiture is so tender, to pay such close attention to someones appearance…’ explained Taj. Creating this body of work was more so, because she was painting her own people, the people within her community, people whom she deeply loved.

Read more about Saba Taj, the inspirations behind her work and practice in the article ‘Magic in the Margins’ by Anna Nigmatulina at the link in our bio! 💜

1.Saba Taj, ‘Honeyed Gardens’ 2021
2. Saba Taj, ‘Laila in Orchids’ (detail), 2019
3. Saba Taj, ‘Laila in Orchids’ 2019 and ‘Honeyed Gardens’ 2021 at The Gallery at VCUarts Qatar ©Raviv Cohen
4. Saba Taj, ‘Laila in Orchids’ 2019 and ‘Honeyed Gardens’ 2021 at The Gallery at VCUarts Qatar

#futurisms #exhibition #tasmeem #art #muslimfutures #sabataj #gardens #portraiture

اضغط على على الرمز أعلاه للوصول إلى قائمة الموارد المنسقة لدينا التي يجب أن يعرف عنها جميع المبدعين في الدوحة!

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